The Crossing Guard The Crossing Guard marked Sean Penn’s second outing as a writer and director. Even today, The Crossing Guard receives a cool reception from those who stumble upon it. While almost all agree that the film is not a masterpiece, some go so far as to say it’s not even a good film. It’s not perfect, it’s not a masterpiece, but I can’t tell you that The Crossing Guard is not a good film that proves Sean Penn is a true film director.
Jack Nicholson plays Freddy, an alcoholic jeweler whose daughter was killed some years ago by a drunk driver named John Booth (David Morse). Booth has recently been released from prison, moving into a trailer in his parent’s driveway and Freddy plans to kill him. Since the death of his daughter, Freddy has nothing. His ex-wife Mary (Anjelica Huston) has re-married and his two sons call him by his first name; his nights are spent drinking and socializing in a strip club. He’s hit rock bottom and has nothing worth holding on to. When Freddy finally attempts to kill Booth, he has gun troubles and tells Booth he has 3 days. Booth is still suffering from the guilt that he no longer fears his own mortality.
This synopsis makes the film sound like a cheap, conventional, and contrived thriller. There are parts of Penn’s story that are contrived, without a doubt…But this a strong, character-driven piece that allowed me to slightly overlook blemishes in the story.
The film is driven by Nicholson and Morse, two vastly contrasted performances, with Morse giving a subdued performance as Nicholson immerses himself into the character, once again crating a memorable character while essentially playing a variation on himself. The fact that Sean Penn is an actor greatly helps him get great performances out of his actors. 20 minutes in there is a scene between Nicholson and Huston (who had gone through a tumultuous breakup only a few years earlier) which seethes intensity. Quite late into the movie, they have yet another scene together and it’s easy to see both of them drawing from their personal history to get through the scenes correctly. While both Freddy and Booth are appropriately fleshed out, I felt that Penn didn’t fully flesh out Huston’s character and Jojo (Robin Wright), Booth’s love interest. They felt more like devices of the plot rather than actual characters.
I do find it funny to note (due to Penn’s famously hot temper) that, despite playing Booth’s love interest, there is not a single scene of Wright and Morse kissing.
Penn proves himself with this film that he’s a strong director and a strong writer, but he still hadn’t fully matured as one. His script is “good,” but would not have worked as a film without the cast he chose to populate the movie. The saddest thing about The Crossing Guard is that it’s not a great film, although it certainly had the potential to be just that. The contrived story, specifically the happy ending, is what killed it for me. In the end, I felt the film would’ve worked better as a grim story about revenge than a dark tale about redemption. There are great scenes in the film, but others that are just too forced and predictable to ignore…The paradox of Freddy in particular. I saw that coming from the very beginning of the film. The Crossing Guard has great performances, great direction, and is entertaining enough but it could’ve been so much more.
GRADE: B Disney: Academy Award(R)-winner Jack Nicholson (1997 Best Actor, AS GOOD AS IT GETS) drives this suspenseful, critically acclaimed action thriller about one man’s unquenchable thirst for revenge! For six agonizing years, Freddy Gale (Nicholson) has waited for John Booth (David Morse, THE NEGOTIATOR), the man jailed for a crime that destroyed Freddy’s life. Now, Booth is out of prison and Freddy’s giving him three days before he returns … to even the score! Directed by Sean Penn and starring Academy Award(R)-winner Anjelica Huston (1985 Best Supporting Actress, PRIZZI’S HONOR) and sexy Robin Wright (MESSAGE IN A BOTTLE), THE CROSSING GUARD is an intense, emotionally charged thriller that delivers! Sean Penn wrote and directed this character-driven drama about a divorced couple (Jack Nicholson and Anjelica Huston) whose relationship never recovered following the death of their daughter at the hands of a drunk driver (David Morse). When the latter’s character, a deeply regretful and changed man, gets out of jail, Nicholson, as the vengeful dad, decides to go after him. As a director, Penn is not so good with fluid storytelling and camera clichés, but he is amazing as an actor’s director. The onscreen reteaming of former real-life lovers Nicholson and Huston is more than just a voyeuristic exercise: Penn ingeniously uses the duo’s palpable friction to bring an often horrifying reality to the pain of a dead relationship. –Tom Keogh
The Crossing Guard
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